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| Joan Blondell | Blondie Johnson |
| Chester Morris | Danny |
| Allen Jenkins | Louis |
| Earle Foxe | Scannel |
| Claire Dodd | Gladys |
| Mae Busch | Mae |
| Joseph Cawthorn | Manager |
| Olin Howland | Eddie |
| Sterling Holloway | Red |
| Toshia Mori | Lulu |
| Arthur Vinton | Max Wagner |
| Donald Kirke | Joe |
| Maurice Black | Tony |
| Sam Godfrey | Freddie |
| Betty Jane Graham | Child |
| Director | Ray Enright
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Even though "Crime Does Not Pay" is the message here, Joan Blondell and Chester Morris play the wisecracks with style. Definitely a feminist slant to a story of a woman crime-boss wannabe who refuses to have sex with her co-workers. Entertaining and involving (I joined the heroine in her desire to save her frontman from the hitmen's bullets), although the ending was a little hard to take. Good stuff from Sterling Holloway as a friendly cab-driver. |
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