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| Katharine Alexander | |
| Walter Hampden | Archdeacon |
| Cedric Hardwicke | Frollo |
| Charles Laughton | Quasimodo |
| Alan Marshall | |
| Thomas Mitchell | Clopin |
| Edmond O'Brien | Gringoire |
| Maureen O'Hara | Esmeralda |
| Alan Marshal | Phoebus |
| Harry Davenport | King Louis XI |
| Katherine Alexander | Madame de Lys |
| George Zucco | Procurator |
| Director | William Dieterle
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| Producer | Pandro S. Berman
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| Writer | Sonya Levien
Victor Hugo |
| Cinematography | Joseph H. August
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| Musician | Alfred Newman
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With huge sets, rousing action scenes and a versatile throng portraying a medieval Paris of cutthroats, clergy, beggers and nobles, The Hunchback of Notre Dame (1939) remains on of Hollywood's all-time grandest spectacles. Charles Laughton endured a daily five-and-a-half-hour makeup session to become Quasimodo, the mocked and vilified bellringer of Notre Dame. The result was on of his best performances: outsized yet nuanced, heart-rendering yet inspiring. |
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Features
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